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Santeria Enthroned Art, Ritual, and Innovation in an Afro-Cuban Religion by David H. Brown

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Published by University Of Chicago Press .
Written in English


Book details:

The Physical Object
Number of Pages432
ID Numbers
Open LibraryOL7415603M
ISBN 100226076091
ISBN 109780226076096

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  Santeria Enthroned is an ambitious book that achieves a dense, textured understanding of Orisha traditions located in multiple, local Diasporas: New Jersey in the late twentieth century, Havana in the nineteenth century, and so on. Readers get a sense of the shifting strategies that help Santeria practitioners and artists negotiate their history and their Price: $ In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in 4/5(1). Ever since its emergence in colonial-era Cuba, Afro-Cuban Santeria (or Lucumi) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In "Santeria Enthroned," David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel.   Santeria Enthroned is an ambitious book that achieves a dense, textured understanding of Orisha traditions located in multiple, local Diasporas: New Jersey in the late twentieth century, Havana in the nineteenth century, and so on. Readers get a sense of the shifting strategies that help Santeria practitioners and artists negotiate their history and their .

In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.   In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.4/5(1). "Santeria Enthroned presents an ambitious blend of archival research, visual analysis, oral-historical interviews, ethnography, ethnohistory, and the techniques of art history, applied to the problematic tension between continuity and innovation in Afro-Cuban religion. The book will stand as an essential reference for decades to vcome."/5(10). the text in a way that helpfully explains the symbolic density of Santeria in its many shifting contexts. In the end, Santerta Enthroned is an ambitious book that achieves a dense, textured understanding of Orisha traditions located in multiple, local Diasporas: New Jersey in the late twentieth century, Havana in the nineteenth century, and so on.

bolts or how to book. This is a wordy sophisticated read for the scholar and dry; somewhat like reading a textbook. It is around pages, yet it is double columned and uses small print. My guess is it is around , words. For a comparison, this book is aro Santeria Enthroned is typical of a high brow intellectual publisher like 3/5(1).   In Santeria Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression/5(35). These two books spark hope that the body of English language literature on Cuba’s distinctive religious traditions will be enhanced with all deliberate speed. Indeed, David Brown has researched and written a tour de force in Santería Enthroned. The book is an irregular eight and a half by nine and a half inches as compared to standard six by nine and half-inch readers. Originally published in Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice it shows how negotiations among ideologically competing interests .